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Patterns of Resistance
In the early 1970s, the Pattern & Decoration Movement emerged as an antidote to the vice grip in which abstraction had held American art since the 1950s. Artists like Valerie Jaudon, Joyce Kozloff, and Miriam Shapiro began juxtaposing colors and patterns that critics and artists alike had previously dismissed as feminine to powerful effect. Simultaneously, other feminist artists like Lynda Benglis were consciously subverting clay’s associations as a masculine and/or craft medium.
As the seventies played out, a generation of artists like Andrea Gill, Nancy Selvin, and Betty Woodman did not just embrace the decorative strategies of the Pattern & Decoration Movement, they also sought to place a feminist spin on their work. As ceramics become more common in a fine art context, hierarchies surrounding different materials faded, giving artists the ability to experiment and construct narrative and meaning through pattern. Long denigrated as “decorative” and closely associated with domesticity, patterns are now an integral part of the language of contemporary art.
| Date/Time | 11/11/2025 (All day) |
| Runs | 9/13/2025 - 1/04/2026 |
| Cost | $14 – Adults $10 – Seniors (65+), Students $5 – Children 6-12 $2 – with EBT card FREE – Everson Members, Children 5 and under, Military (w/ ID) P |
| Contact Phone | 315-474-6064 |
| Contact Email | everson@everson.org |
| Venue | Everson Museum of Art 401 Harrison St. Syracuse, NY 13202 315-474-6064 |

Jake Troyli: Open Season
Jake Troyli’s works address the commodification of Black and Brown bodies, confronting and exploring labor capitalism and sweat equity as a demonstration of value. Troyli also injects his paintings with a sense of humor and absurdity through the inclusion of his own self-portrait. His avatar populates the works in Open Season, where Troyli is both the hunter and the hunted as he participates in a variety of physical activities. As a former Division I basketball player, Troyli has a potent understanding of how athletes in America, particularly athletes of color, are simultaneously celebrated and criticized.
About the Artist:
Jake Troyli (b. 1990, Boston, MA) played Division 1 basketball at Presbyterian College, Clinton, SC before receiving his BFA from Lincoln Memorial University, Harrogate, TN (2013), and his MFA from the University of South Florida, Tampa (2019). He attended the Skowhegan School of Painting and Sculpture, ME in 2019. Solo exhibitions include moniquemeloche, Chicago, IL (2024, 2022); Tempus Projects, Tampa, FL (2018); and ArtsXchange, Atlanta, GA (2018). Troyli’s work has been featured in group exhibitions at Perrotin Gallery, New York, NY (2024); Galerie Droste, Düsseldorf, DE (2024); Milwaukee Art Museum, Milwaukee, WI (2023-24); Everson Museum, Syracuse, NY (2023); Galerie Droste, Paris, FR (2021); The Ringling Museum, Sarasota, FL (2021); Contemporary Art Museum, Tampa, FL (2019); San Francisco Art Institute, CA (2018). Troyli’s work is in the permanent collections of the Everson Museum, Syracuse, NY; Tampa Art Museum, Tampa, FL; the Ringling Museum, Sarasota, FL; the Nerman Museum of Contemporary Art, Overland Park, KS; and Pierce and Hill Harper Arts Foundation, Detroit, MI. He is the recipient of the Provincetown Fine Arts Work Center Fellowship (2019-2020) and the Creative Pinellas Emerging Artist Grant, Largo, FL (2017). Troyli was a 2023 Visual Artist recipient of the Academy of Fine Arts x International City of Arts program in Paris, France. He is currently an artist in residence at Project for Empty Space in Newark, NJ.
| Date/Time | 11/11/2025 (All day) |
| Runs | 9/27/2025 - 1/04/2026 |
| Cost | $14 – Adults $10 – Seniors (65+), Students $5 – Children 6-12 $2 – with EBT card FREE – Everson Members, Children 5 and under, Military (w/ ID) P |
| Contact Phone | 315-474-6064 |
| Contact Email | everson@everson.org |
| Venue | Everson Museum of Art 401 Harrison St. Syracuse, NY 13202 315-474-6064 |

Joyce Kozloff: Contested Territories
For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. Contested Territories presents a selection of Kozloff’s works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.
Kozloff’s wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.
A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.
Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.
Virtual Reality Experience
A fully immersive virtual reality experience of Kozloff’s newest public artwork, developed by Brooklyn-based MediaCombo, accompanies the exhibition. Using VR headsets, visitors can explore Memory and Time, a series of 17 glass and mosaic tile panels illustrating the history of Greenville’s textile industry, installed at the Carroll A. Campbell Jr. United States Courthouse in Greenville, South Carolina. Kozloff herself narratives the 9-minute experience, guiding visitors through several panels and describing how they represent local history.
| Date/Time | 11/11/2025 (All day) |
| Runs | 9/27/2025 - 4/05/2026 |
| Cost | $14 – Adults $10 – Seniors (65+), Students $5 – Children 6-12 $2 – with EBT card FREE – Everson Members, Children 5 and under, Military (w/ ID) P |
| Contact Phone | 315-474-6064 |
| Contact Email | everson@everson.org |
| Venue | Everson Museum of Art 401 Harrison St. Syracuse, NY 13202 315-474-6064 |

Laurent Craste: Iconoclasts
Iconoclasts marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste’s vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.
About the Artist:
French-born artist Laurent Craste lives and works in the village of Saint-Gabriel in Quebec. Craste has received numerous awards and honors throughout his career (Winifred Shantz Award, grants from the Canada Council for the Arts and the Quebec Arts Council, Jean-Marie Gauvreau Award, etc.). His works are on display in many private and public collections (Montreal Museum of Fine Arts, Public Collection of the Department of Foreign Affairs and International Trade Canada, Claridge Collection, Majudia Collection, etc.). On the occasion of their entry into the permanent collection of the Musée des Métiers d’Art du Québec in 2018, 15 of his works have been recognized as of exceptional interest and of national importance by the Canadian Cultural Property Export Review Board.
During his more than 20-year career, Laurent Craste has participated in more than 60 group exhibitions in Canada, the United States, Europe and Asia. Among others, his work has been exhibited in New York (Museum of Moving Image), in Ottawa (Carleton University Art Gallery), as well as in Paris (Cité de la mode et du design). He has also had more than a dozen solo exhibitions, including at the Montreal Museum of Fine Arts, the Tom Thomson Art Gallery and the Art Gallery of Burlington in Ontario, as well as the Hohmann Fine Arts Gallery in Palm Springs California.
| Date/Time | 11/15/2025 (All day) |
| Runs | 11/15/2025 - 5/24/2026 |
| Cost | $14 – Adults $10 – Seniors (65+), Students $5 – Children 6-12 $2 – with EBT card FREE – Everson Members, Children 5 and under, Military (w/ ID) P |
| Contact Phone | 315-474-6064 |
| Contact Email | everson@everson.org |
| Venue | Everson Museum of Art 401 Harrison St. Syracuse, NY 13202 315-474-6064 |

Wicked
Onstage smoke effect and haze, gunshot sound effect. Recommended for ages 8+.
So much happened before Dorothy dropped in. WICKED, the Broadway sensation, looks at what happened in the Land of Oz… but from a different angle. Long before Dorothy arrives, there is another young woman, born with emerald-green skin—smart, fiery, misunderstood, and possessing an extraordinary talent. When she meets a bubbly blonde who is exceptionally popular, their initial rivalry turns into the unlikeliest of friendships…until the world decides to call one “good,” and the other one “wicked.” From the first electrifying note to the final breathtaking moment, WICKED—the untold true story of the Witches of Oz—transfixes audiences with its wildly inventive story. “If every musical had the brains, heart and courage of WICKED, Broadway really would be a magical place” (Time Magazine).
**Anyone, regardless of age, must have their own ticket.
| Date | 12/02/2025 |
| Multiple Times | Dec. 3 – 7:30PM |
| Runs | 12/03/2025 - 12/14/2025 |
| Contact Phone | 315-475-7979 |
| Contact Email | info@landmarktheatre.org |
| Venue | Landmark Theatre 362 S. Salina St. Syracuse, NY 13202 |

MJ The Musical
Show uses theatrical haze and fog as well as a significant amount of strobing effects and loud sounds. Recommended for ages 8+.
He is one of the greatest entertainers of all time. Now, Michael Jackson’s unique and unparalleled artistry comes to Syracuse in MJ, the multiple Tony Award®-winning musical centered around the making of the 1992 Dangerous World Tour. Created by Tony Award®-winning Director/Choreographer Christopher Wheeldon and two-time Pulitzer Prize winner Lynn Nottage, MJ goes beyond the singular moves and signature sound of the star, offering a rare look at the creative mind and collaborative spirit that catapulted Michael Jackson into legendary status. It’s thrilling sold out crowds on Broadway, in cities across North America; London’s West End; Hamburg, Germany; and Sydney, Australia…and now MJ is startin’ somethin’ in Syracuse as it makes its premiere at the Landmark Theatre in January 2026.
The MJ creative team features Scenic Design by two-time Tony and Emmy Award winner Derek McLane, Lighting Design by seven-time Tony Award winner Natasha Katz, Costume Design by Tony and Emmy Award winner Paul Tazewell, Sound Design by Tony Award winner Gareth Owen, Projection Design by two-time Tony Award nominee Peter Nigrini, Hair & Wig Design by two-time Emmy Award nominee Charles G. LaPointe and Makeup Design by Emmy nominee Joe Dulude II. The creative team also features Musical Supervision by Tony Award nominee David Holcenberg, Orchestrations and Arrangements by David Holcenberg and Tony Award winner Jason Michael Webb, and Music Direction by Nathanael Wilkerson and Jason Yarcho. Casting by The Telsey Office / Rachel Hoffman, CSA, Lindsay Levine, CSA
*Interpreters will be available at this performance
**Anyone, regardless of age, must have their own ticket
| Date | 1/05/2026 |
| Multiple Times | Jan. 6 – 7:30PM |
| Runs | 1/06/2026 - 1/11/2026 |
| Contact Phone | 315-475-7979 |
| Contact Email | info@landmarktheatre.org |
| Venue | Landmark Theatre 362 S. Salina St. Syracuse, NY 13202 |

Maddox Batson: Live! 2026 Worldwide
Maddox Batson navigates the world with wisdom and wit far beyond his 15 years. After the Nashville-born, Alabama-based songwriter began gaining notoriety covering songs from Zach Bryan, Red Clay Strays and more, he started to write his own songs. Thanks to early singles like “Tears In The River” and “I Wanna Know,” Batson quickly showed that he wasn’t only a star at covering country hits, but an excellent writer of his own home-cooked cuts – a practice he saw first-hand as a co-writer on Lana Del Rey and Quavo’s smash hit collaboration, “Tough.”
With the arrival of his deluxe EP First Dance (The After Party) in May, Maddox Batson was ready to show the world you’re never too young to be the face of music. Most recently, Batson wrapped his 29-city I Need A Truck Tour and released new track “Coincidence.” Batson also made his debut appearance at Stagecoach Music Festival in 2025. Life is moving fast for the multi-instrumentalist (piano, guitar & mandolin) and he’s trying his best to remain a kid while becoming next up in country-pop music. “It can be overwhelming, this life, but I’ve got a lot of good people surrounding me,” he explains. “I’m still just a kid, though, and I’m happy about that.”
| Date/Time | 3/06/2026 7:30 PM |
| Runs | 3/06/2026 - 3/06/2026 |
| Contact Phone | 315-475-7979 |
| Contact Email | info@landmarktheatre.org |
| Venue | Landmark Theatre 362 S. Salina St. Syracuse, NY 13202 |
